Read e-book online William Faulkner's Absalom, Absalom!: A Casebook (Casebooks PDF
By Fred C. Hobson (ed.)
Absalom, Absalom! has lengthy been obvious as one in all William Faulkner's preferrred creations, in addition to one of many prime American novels of the 20 th century. during this assortment Fred Hobson has introduced jointly 8 of the main stimulating essays on Absalom, essays written over a thirty-year span which strategy the radical either officially and traditionally. listed here are serious responses by means of Cleanth Brooks, John Irwin, Thadious Davis, and Eric Sundquist, in addition to 4 essays released within the final decade. The casebook concludes with Faulkner's personal feedback at the novel, brought in a dialogue with scholars on the collage of Virginia. What emerges from the entire choices is a wealthy and suggestive therapy of a piece which Faulkner himself known as "the top novel but written via an American" and a much less biased critic has referred to as "the maximum American novel of the century... becoming a member of Moby-Dick and Huckleberry Finn on the top of yankee fiction."
Read Online or Download William Faulkner's Absalom, Absalom!: A Casebook (Casebooks in Criticism) PDF
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Extra info for William Faulkner's Absalom, Absalom!: A Casebook (Casebooks in Criticism)
The matter has been recently put very well in C. ”2 In remarking on how little of hard fact one has to go on, we should bear in mind particularly the question of Bon’s Negro blood and of his kinship to Henry. Quentin says ﬂatly that “nobody ever did know if Bon ever knew Sutpen was his father or not” (p. 269). Did anyone ever know whether Bon knew that he was part Negro? In their reconstruction of the story, Shreve and Quentin assume (p. 356) that Bon was aware that he was Henry’s part-Negro half brother (though on page 327 Quentin and Shreve assume that Bon did not know that he had Negro blood).
Compson thinks that it was the fact of the mistress that made Thomas Sutpen oppose Bon’s marriage to his daughter, but that Henry was so deeply committed to his friend that he refused to believe what his father told him about Bon’s mistress, chose to go away with Charles, and only at the very end, when Charles Bon was actually standing before his father’s house, used the gun to prevent the match. It is not a very plausible theory. For though it could account for Sutpen’s opposition to Bon, it hardly explains Henry’s violent action, taken so late in the day.
361). And though he cannot suppress his bantering tone in alluding to the southern heritage—it is “a kind of entailed birthright . . of never forgiving General Sherman, so that forevermore as long as your children’s children produce children you wont be anything but a descendant of a long line of colonels killed in Pickett’s charge”—Shreve’s question is seriously put. What is it that Quentin as a southerner has that Shreve does not have? It is a sense of the presence of the past and with it an access to a tragic vision.
William Faulkner's Absalom, Absalom!: A Casebook (Casebooks in Criticism) by Fred C. Hobson (ed.)