Visual Politics and North Korea: Seeing is Believing - download pdf or read online
By David Shim
In the world of diplomacy, there are probably few states like North Korea. if it is the country’s human rights scenario, its precarious daily life or its so-called international coverage of coercion and nuclear brinkmanship, it doesn't matter what this ‘pariah’ state says and does it impacts the nation and balance of neighborhood and international politics. yet what will we learn about North Korea and the way will we come to understand it? This booklet argues that visible imagery performs a decisive position during this operation. by way of discussing exemplary parts – daily images and satellite tv for pc imagery – the booklet takes into consideration the function of pictures within the method that exact concerns regarding North Korea are understood in modern geopolitics. pictures paintings. They do anything by means of evoking a selected viewpoint of what's proven in them, permitting merely particular methods of seeing and realizing. during this feel, pictures are deeply political. person methodological usages within the booklet provides a procedural foundation from which to begin or reconsider extra reports on visuality, either in IR and past. It additionally opens an leading edge course for destiny stories on East Asia, making the ebook beautiful to quite a number experts and therefore conserving an charm past the bounds of a unmarried discipline.
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Extra resources for Visual Politics and North Korea: Seeing is Believing
Ontologically, a material object or an external event still exists independent of thought, yet it cannot acquire meaning by mere self-reference; rather, it is only achieved through discursive 18 Approaching and analysing visual representation articulation, which, for instance, can turn a stone into either a means of aggression or an object of contemplation (Laclau/Mouffe 1990: 100–3). Transferred to the context of contemporary international relations in East Asia, the sinking of a South Korean naval ship in March 2010, which a multinational investigation team concluded was caused by a North Korean torpedo, does not tell us whether this incident constitutes an act of war or an act of terrorism, or whether it is an issue of bilateral, regional and/or global significance.
While postmodernism and poststructuralism draw on different historical conditions of emergence, both, however, refer in IR to ‘critical’ standpoints, which 14 Approaching and analysing visual representation were mainly inspired by the thought of Jacques Derrida, Michel Foucault and Julia Kristeva (cf. Edkins/Vaughan-Williams 2009). The works of the abovementioned pioneers like Ashley, Shapiro and Walker in the 1980s were such a response to the, at that time, dominant theories of realism and neorealism, intended to demonstrate how their rationalist assumptions determined the conditions, or more precisely confines, of speaking and writing about international politics.
However, the disclosure of the staging and enhancing of a photograph does not necessarily undermine its efficacy, as many examples in the history of photography and photo-journalism illustrate: be it the raising of the American flag on the Japanese island of Iwo Jima, the street photography by Robert Doisneau or the iconic picture of the falling soldier taken by Robert Capa (Campbell 2003b; Hamilton 1997; Hariman/ Lucaites 2007; Perlmutter 1998; Roth 2009), all of which were later revealed as having been staged in one way or another.
Visual Politics and North Korea: Seeing is Believing by David Shim