Download e-book for iPad: Minimalist Lighting: Professional Techniques for Studio by Kirk Tuck
By Kirk Tuck
Photographers the best way to create striking images with this easy, easy, money-saving method of operating within the studio. whereas exploring to be had lights and kit, this reference tackles the worries of studio photographers relating to an excessive amount of equipment, now not sufficient room, and a strict finances and provides substitute options for photographing matters. suggestions for the way to establish a studio in a restricted quantity of area, what sort of gear works most sensible for various results, and discovering nice instruments for price range costs make this a very entire reference.
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Though many hikers and climbers hold cameras with them, they typically come away feeling disillusioned simply because their photos fail to visually translate their stories. In distant publicity Alexandre Buisse is going past the mere fundamentals of images and provides you the instruments had to create photographs that aren't merely of excellent technical caliber yet which are compelling as well.
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Extra info for Minimalist Lighting: Professional Techniques for Studio Photography
So, light falloff has a lot to do with the way your studio photographs look. Understanding and mastering the principles involved gives you more “paint on your palette” as you create images. It’s just another variable of the character of light. LEFT—This portrait was shot using light bounced off a silver panel from outside the studio through a large window. This technique can easily be done with a piece of silver-foil insulation board, found in most building-supply stores. ABOVE—We bounced sunlight into the studio using a 48-inch Chimera panel covered with a silverized fabric.
Rechargeable nickel metal hydride batteries (NiMH) can be reused for five-hundred high-powered usage cycles and cost not much more than disposable alkaline batteries. An important part of the shift to smaller electronic flashes is a result of the instant feedback photographers get from their digital cameras. A quick test shot lets you know, in real time, if you need to fine-tune your exposure. You can lighten or darken your image, change your light ratios if need be, and then go on to photograph your assignment with confidence.
I also keep a few fresnel spot lights around, because being able to focus them into a tight beam of coherent light can really come in handy. Over the years, I’ve been able to add to my collection of hot lights by contacting film-industry rental houses and letting them know I’d be interested in buying lights that they may be taking out of service because they are banged up or have been replaced by newer models. Hot lights are very mature products, having been used and evolved by both the film and television industries for over a hundred years.
Minimalist Lighting: Professional Techniques for Studio Photography by Kirk Tuck