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Read e-book online Michael Freeman's 101 Top Digital Photography Tips PDF

Posted On April 20, 2018 at 5:56 pm by / Comments Off on Read e-book online Michael Freeman's 101 Top Digital Photography Tips PDF

By Michael Freeman

ISBN-10: 1905814348

ISBN-13: 9781905814343

For the first actual time, well known foreign photographer and writer Michael Freeman finds all of the insider tricks and secrets and techniques that almost all specialist photographers dont wish you to understand. Photographers of all ability degrees point-and-shooters, enthusiastic amateurs, or even fellow professionalswill locate lots of helpful recommendation drawn from Michael Freemans decades within the box. a hundred and one most sensible electronic images counsel explains tips to use your camera successfully and creatively, and the way to imagine and shoot like a professional seasoned. This e-book will enable you to utilize your camera, no matter if your assets are limitedcovering every thing from taking pictures in terrible climatic conditions, faking advanced lights setups, and capturing for intensity of box, to solving broken documents and organizing your pictures successfully. you could recognize Photoshop inside and outside, but when youre no longer utilizing your digital camera to the simplest of its skills, youre more likely to be disenchanted with the implications. Michael Freemans one zero one best electronic images suggestions will ensure you get the very best photographs to paintings with within the first position, despite your present ability point.

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Extra info for Michael Freeman's 101 Top Digital Photography Tips

Example text

Color accuracy was essential. The frame was removed from the wall, the custom white balance measured and set, and then the frame replaced. For comparison, the Auto, Fluorescent, and Daylight options show how critical the difference can be. White balance Incandescent Fluorescent Direct sunlight Flash Cloudy Shade Choose color temp. PRE Preset manual 5 5-6 Here, on a Nikon, it is called Preset manual. Once activated, the camera is aimed at a white surface— paper, painted wall, card, cloth—and this white balance is calculated and stored for all future shots.

Note not just the completely safe speed, but also the speed at which you stand a chance of being sharp by shooting a few frames. Now you know. Repeat the test with other lenses and focal lengths. All In low-light conditions, or when you are trading a smaller aperture for shutter speed for improved depth of field, you ought to know what the chances are that you are capturing an acceptably sharp image. Important though it is to keep checking the sharpness at magnification on the camera’s screen, it’s impractical to do this after every shot, particularly if you are getting a high rate of failure.

Even if the light source is known fairly well—in this case a cloudy day in the region of 6,500 K—the pigments or dyes in different surfaces may not record digitally just as we see them. These are wavelength and response issues. Here, even though the white balance was set to Cloud, the unadjusted result was wrong for several colors. The tiger was more red than brown, and the green strips were too yellow. As the shots had been taken in Raw, there was no reason to re-shoot, but making a visual match while processing with a Raw converter (in this case, DxO Optics Pro) involved a series of adjustments and was anything but simple.

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Michael Freeman's 101 Top Digital Photography Tips by Michael Freeman


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