Read e-book online Landscape Photography: From Snapshots to Great Shots PDF
By Rob Sheppard
Now that you’ve received that tremendous new DSLR, you wish a e-book that is going past the digicam handbook to trap beautiful pictures. For photographers drawn to panorama images, this consultant may help you overcome the basics and take striking open air shots.
professional photographer Rob Sheppard begins with the basics–composition, mild, and perspective–and describes how you can hook up with your scene. He covers all of the key digicam positive factors that have an effect on your picture, together with how altering focal lengths alters your viewpoint and the aperture’s direct correlation with intensity of box. as soon as you’ve captured these photographs, Rob takes you thru easy post-processing steps in Lightroom, Photoshop, and Photoshop Elements.
This consultant is for beginning-to-intermediate electronic photographers to appreciate the fundamentals and produce their very own targeted creative expression to landscapes and outdoors taking pictures. fantastically illustrated with huge and compelling pictures, this booklet teaches you the way to take keep watch over of your images to get the picture you will want each time you choose up the digital camera.
Read or Download Landscape Photography: From Snapshots to Great Shots PDF
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Additional info for Landscape Photography: From Snapshots to Great Shots
Color accuracy was essential. The frame was removed from the wall, the custom white balance measured and set, and then the frame replaced. For comparison, the Auto, Fluorescent, and Daylight options show how critical the difference can be. White balance Incandescent Fluorescent Direct sunlight Flash Cloudy Shade Choose color temp. PRE Preset manual 5 5-6 Here, on a Nikon, it is called Preset manual. Once activated, the camera is aimed at a white surface— paper, painted wall, card, cloth—and this white balance is calculated and stored for all future shots.
Note not just the completely safe speed, but also the speed at which you stand a chance of being sharp by shooting a few frames. Now you know. Repeat the test with other lenses and focal lengths. All In low-light conditions, or when you are trading a smaller aperture for shutter speed for improved depth of field, you ought to know what the chances are that you are capturing an acceptably sharp image. Important though it is to keep checking the sharpness at magnification on the camera’s screen, it’s impractical to do this after every shot, particularly if you are getting a high rate of failure.
Even if the light source is known fairly well—in this case a cloudy day in the region of 6,500 K—the pigments or dyes in different surfaces may not record digitally just as we see them. These are wavelength and response issues. Here, even though the white balance was set to Cloud, the unadjusted result was wrong for several colors. The tiger was more red than brown, and the green strips were too yellow. As the shots had been taken in Raw, there was no reason to re-shoot, but making a visual match while processing with a Raw converter (in this case, DxO Optics Pro) involved a series of adjustments and was anything but simple.
Landscape Photography: From Snapshots to Great Shots by Rob Sheppard