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By Miyeko Murase
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Extra resources for Japanese art: Selections from the Mary and Jackson Burke Collection : [exhibition]
It ties 'unthingness,' however, to a 'thingly' being (man) and thus obscures its 'unthingly' character. In the philosophy of Martin Heidegger, 'unthingly' reality is freed from subjectivity - is no longer coupled with a 'thingly' subject. The first phase of Heidegger's philosophy is an inquiry into the human subject. 1 Such an inquiry results in the disclosure of man's 'essentiation' as Dasein. Already Kant understood man as the stead of ideas, but, as a subjective philosopher, he considered ideas as man's thoughts and possessions.
They can be known only as the contents of human consciousness. All three ideas are supreme regulative principles. All things and events in the world in which we live belong together because of the idea of the world. The world comprises all things, but is itself only an idea. Does the world have any 'thingly' realness? No! Does it have any realness? Kant leaves this question unanswered, since for him 'unthingly' reality seems to be 'unprovable reality,' or perhaps a contradiction in terms. If then an idea holds everything in an orderly togetherness and makes everything understandable, meaningful, and true, but remains itself in a shadow of 'unthingness' qua 'unrealness,' the whole 36 ORDINANCE reality - all the things in the world in which we live - seems to be founded on and carried by an abyss of nothingness.
The laws which prevail in his world are his. Even the laws received from the early cultures, or the laws of religious origin, are his, because they have his approving seal and without such an approval they are worthless. The godlessness of man has its start with Descartes - since God was rectified by human consciousness. Nature, and not the supernatural, attracted man's attention. He turned to the world and saw it in the light of his consciousness, and no longer in the light of God. Man realized then, and ever since, that he belongs on the earth and must become its master.
Japanese art: Selections from the Mary and Jackson Burke Collection : [exhibition] by Miyeko Murase