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By Alan H. Sommerstein
The historical past of ecu drama started on the fairs of Dionysus in old Athens, the place tragedy, satyr-drama and comedy have been played. figuring out this historical past is key for college kids of classical, literary and theatrical matters, and Alan H. Sommerstein's obtainable research is the excellent advent. The publication starts by way of taking a look at the social and theatrical contexts and diverse features of the 3 genres of historic Greek drama. It then examines the 5 major dramatists whose works live to tell the tale - Aeschylus, Sophocles, Euripides, Aristophanes and Menander - discussing their kinds, concepts and concepts, and giving brief synopses of all their extant performs. extra necessary good points comprise succinct assurance of just about sixty different authors, a chronology of important humans and occasions, and an anthology of translated texts, all of which were formerly inaccessible to scholars. An up to date research bibliography of additional studying concludes the amount. transparent, concise and accomplished, and written via an said specialist within the box, Greek Drama and Dramatists can be a helpful orientation textual content at either 6th shape and undergraduate point.
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Extra info for Greek Drama and Dramatists
After the production of the Oresteia in 458 he again visited Sicily; he died there, at Gela, in 456/5; his epitaph commemorated him, not as a poet, but as one who had fought at Marathon. At some date during the next thirty years a state decree permitted anyone who so wished to restage Aeschylus’ plays at the dramatic festivals in competition with those of living dramatists. Two of Aeschylus’ sons, Euphorion and Euaeon, themselves became tragic dramatists; so did a nephew, Philocles, who was the founder of a dynasty of tragic poets that spanned four generations and lasted until 340 or later.
Prometheus Bound Prometheus is chained to a rock in the far north, by the order of Zeus, for having stolen ﬁre and given it to mortals. He reveals that he possesses a secret vital to Zeus: Zeus will be overthrown if he mates with a certain female who is destined to have a son mightier than his father. He deﬁantly refuses to disclose this female’s identity, and ﬁnally is swallowed up by the earth. ] Since 1856 (though never in antiquity) the authenticity of the Prometheus plays has been increasingly doubted: sometimes because Prometheus Bound portrays Zeus as an evil tyrant; sometimes because the intellectual concerns of the play seem closer to those of the 430s than to those of Aeschylus’ lifetime; sometimes (most cogently) because the language, metre, style and technique of the play (and, so far as we can judge, also of Prometheus Unbound ) are in certain respects clearly divergent from those of Aeschylus.
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Greek Drama and Dramatists by Alan H. Sommerstein