Download e-book for iPad: Color Management for Digital Photographers For Dummies by Ted Padova, Don Mason
By Ted Padova, Don Mason
* exhibits electronic picture lovers the way to make sure that the colour in a picture dossier is effectively represented and reproduced, from digicam or scanner to observe or printer* jam-packed with colour administration recommendations that might aid newbies create picture-perfect photos* Discusses the most elements of colour administration together with realizing mild, matching electronic photos to monitors and prints, operating with colour areas, calibrating a printer, and utilizing colour administration instruments* Familiarizes readers with a number of the colour administration instruments that aid calibrate constant photograph caliber
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Extra info for Color Management for Digital Photographers For Dummies
We find that the lamps seem a bit cooler (bluer) in color than the same monitor setting, at least on a CRT monitor, so we use 5000K lamps with a 5500K monitor setting. Your mileage might vary depending on your monitor and available natural light in your studio. Prices for these lamps are usually about three times or more higher than prices for inexpensive, cool-white lamps. The good news is that they last for years, and some are very reasonably priced. Don’s studio uses standard, 96-inch fluorescent fixtures that are fitted with Sylvania Sun Stick lamps that are rated at 5000K and a CRI of 92.
They look dark and don’t have much detail. The dark tones were clipped (cut off) from the image. 7 million distinct and individual colors. The monitor is capable of showing you all these colors by mixing the primary hues of red, green, and blue together. Understanding how your monitor mixes the colors ultimately helps you understand how to edit your pictures for color correction. Imagine a diaphragm similar to your camera’s diaphragm. You can turn the f-stop ring to open or close the diaphragm.
An LCD (unless it’s a very expensive professional model) varies the brightness and contrast by changing the internal monitor color Look Up Tables (LUT) to change the monitor image. The backlight is always bright — very different from a CRT. We worked long and hard to create a foolproof way to visually calibrate an LCD monitor. If you decide to use a visual calibration tool, check out the section “Adjusting Hardware Controls on an LCD Display,” later in this chapter, and you should get a result that matches your print outputs much more closely than the monitor default settings.
Color Management for Digital Photographers For Dummies by Ted Padova, Don Mason