Download e-book for kindle: Circles of Confusion: Film, Photography, Video Texts, by Hollis Frampton
By Hollis Frampton
A small yet effective sampling of Framptons writings used to be accrued in Circles of bewilderment released by means of the visible stories Workshop in 1983, a yr ahead of Framptons loss of life on the age of forty eight. It quite often collects his essays from Artforum and October. That infrequent quantity incorporates an advent via Annette Michelson, Framptons buddy and highbrow cohort, who had released them initially. Why those vital writings remained out of print before is a topic of gossipy hypothesis. merely the scanner, the net and a loyal few have stored them in circulate.
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Additional resources for Circles of Confusion: Film, Photography, Video Texts, 1968-1980
Focus On Close-Up and Macro Photography 6. Do you want the subject completely in focus (need to use Aperture or Manual mode) or do you instead want to zero in on an aspect of the subject (Autofocus mode)? This shot was a close-up of a soda drink for the “Beverage” section of a restaurant menu. Here is an example where close-up photography enables the viewer a perspective that is much more tantalizing than a regular medium or long shot. You can almost taste the content—that’s why most food shots are close-ups.
The focusing boundary is determined by three factors: 1. The aperture setting (f/number) 2. The depth of field 3. ) Exposure can be terribly technical and confusing, so I’ll keep it as simple as possible. 8 to 22 that correspond to a specific opening in your lens, and these openings are called f-stops. 6, and so on. An f-stop is a fraction that indicates the diameter of the aperture (measured by halves). The f stands for the focal length of the lens, the slash (/) means divided. The primary function of these lens openings is to control the volume of light that reaches the sensor during an exposure.
The bigger the reflector surface, the more light is bounced back to your subject. The different colors of reflector surfaces all change the color and quality of light. Silver A silver reflector reflects the most amount of light and doesn’t change the color of the light. This is particularly useful in studio photography, although there is no harm in using it outdoors. Gold A gold surface on a reflector reflects a lot of light, but not quite as much as the silver-coated reflector. The gold surface, however, adds a warmer tone to the light for a softer touch that is ideal for floral photography, giving flowers a richer hue of texture.
Circles of Confusion: Film, Photography, Video Texts, 1968-1980 by Hollis Frampton