Photography

John G. Blair's Alternative Digital Photography PDF

Posted On April 20, 2018 at 5:48 pm by / Comments Off on John G. Blair's Alternative Digital Photography PDF

By John G. Blair

ISBN-10: 1598633821

ISBN-13: 9781598633825

Substitute electronic images will lead you thru an in depth exploration of different innovations in electronic images. even if you're an beginner photographer, a starting expert, or a sophisticated expert trying to upload extra creativity on your images, this publication may help you advance the abilities you want to create strange, inventive, and creative photos utilizing electronic images. It comprises hands-on classes designed that can assist you speedy enhance new and inventive methods of viewing the realm round you. it's jam-packed with instance images, outlining the stairs taken to accomplish each one photo. It emphasizes uncomplicated, artistic, and cheap feedback that anybody can use--no desire for a certified studio or a wide monetary funding. The booklet does additionally contain insurance of complex innovations in addition to dear instruments that let you proceed utilizing the booklet as your adventure grows.

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21 The image is now open in the Lightroom Develop module. 22 The image is now converted to grayscale by clicking on Grayscale in a panel on the right. Creating Black and White from Color 15 and closed as shown. Adjust Exposure, Recovery, Fill Light, Black, and Punch as necessary to have an overall visually pleasing image. Now for the fun part. 1) in the HSL/Color/Grayscale panel. 5 except that you can control things with much great precision in Lightroom. 23 we moved the yellow slider all the way to the right, and the value changes to -100.

You may also need to enlarge the image on your screen (Cmd/Ctrl +) to do the fine details. 5, opacity of 20% is used on the flowers because the colors are bright, but opacity of 50% is being used on the green leaves to bring them out more. The black background in this image will allow you to work faster because any sloppiness along the edges will not show. If you have other than a black layer, it will take more time, and you will have to work with smaller brushes. 1 is the painterly quality that one can achieve, simulating the uneven, handcolored look of a traditional print.

5 shows the resulting image. 5 The resulting sepia-toned image. Before you close your file, reduce the size of the image to about 200 by 300 pixels (the exact size doesn’t matter). Save another copy to your desktop as a Photoshop file (PSD). Now whenever you want to create a sepia-toned image with this color in the future, follow these steps: n Open your image. n Convert to grayscale. n Change mode back to RGB. n Open your sepia sample image on your desktop and make sure the Layers Palette is open.

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Alternative Digital Photography by John G. Blair


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