New PDF release: Aghora III: The Law of Karma
By Dr. Robert Svoboda
During this 3rd quantity of the Aghora trilogy, the Aghori Vimalananda makes use of the backdrop of the Bombay racetrack as metaphor for the final word video game of existence, the place destinies and fortunes are gained or misplaced at the short-term fringe of the completing line. Our lives are masterfully entwined with the reason and impression of karma forever - until eventually we realize and prevent it.
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Extra info for Aghora III: The Law of Karma
It is, in fact, the ritual arts that are the most “artistic,” because the most “correct,” as they must be if they are to be effectual. qxd 12/1/2003 5:53 PM Page 37 A Figure of Speech or a Figure of Thought? 90 The final reference to a good to be realized here and hereafter brings us back again to the “wholesomeness” of art, defined in terms of its simultaneous application to practical necessities and spiritual meanings, back to that fulfillment of the needs of the body and soul together that is characteristic of the arts of the uncivilized peoples and the “folk” but foreign to our industrial life.
27 The reader or spectator of the imitation of a “myth” is to be rapt away from his habitual and passible personality and, just as in all other sacrificial rituals, becomes a god for the duration of the rite and only returns to himself when the rite is relinquished, when the epiphany is at an end and the curtain falls. We must remember that all artistic operations were originally rites, and that the purpose of the rite (as the word teletê implies) is to sacrifice the old and to bring into being a new and more perfect man.
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Aghora III: The Law of Karma by Dr. Robert Svoboda