Read e-book online African-American Poets, Volume 2, New Edition (Bloom's PDF
By Harold Bloom
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Extra resources for African-American Poets, Volume 2, New Edition (Bloom's Modern Critical Views)
Despite the poem’s sometimes vague language which suggests the conventional popular poem, “Cotton Candy” has serious moments which save it from the world of pop songs and greeting cards. When we look closely at the cotton candy image we see it refers to a world of failed possibility; and the language, at least for a few lines, is stately and expressive of a generation: The sweet soft essence of possibility Never quite maturing A curious aspect of Giovanni’s appeal has little to do with her language per se but with the sensibility she creates on the page.
At times she seems a little too eager to gratify human desires at the expense of the revolution. She confides in “Detroit Conference of Unity and Art” (dedicated to former SNCC leader H. Rap Brown): No doubt many important Resolutions Were passed As we climbed Malcolm’s ladder But the most Valid of them All was that Rap chose me Even a nonrevolutionary reader would question the political commitment of the above lines. If one is going to set herself up as a serious poet-prophet— and Giovanni has—one had better be concerned about the revolutionary business at a meeting, not one’s love life.
40–42, 44–45, 47–48) The poem’s title, “History as Apple Tree,” suggests that history can become as matter; the living presence of a tree holds the body of the past in its tissue, while by taking root, Harper allows both the place and its past inhabitants to live in him. Yes, this is a symbolic family tree, but it is very much a real tree, more akin to Robert Frost’s apple or beech trees than to William Faulkner’s metaphoric family trees of white patrimony, for example. Â€. What I History as Moral Ecology in the Poetry of Michael S.
African-American Poets, Volume 2, New Edition (Bloom's Modern Critical Views) by Harold Bloom