British Literature

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ISBN-10: 0897330447

ISBN-13: 9780897330442

The classy and Decadent circulation of the overdue nineteenth century spawned the assumption of "Art for Art's Sake," challenged aesthetic criteria and stunned the bourgeosie. From Walter Pater's learn, "The Renaissance to Salome, the really decadent collaboration among Oscar Wilde and Aubrey Beardsley, Karl Beckson has selected an entire spectrum of works that chronicle the British inventive success of the Nineties. during this revised version of a vintage anthology, "The Ballad of analyzing Gaol" has been incorporated in its entirety; the bibliography has been thoroughly up to date; Professor Beckson's notes and remark were increased from the 1st variation released in 1966. The so-called Decadent or Aesthetic interval continues to be some of the most attention-grabbing within the heritage of the humanities. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are incorporated during this assortment, in addition to 16 of Aubrey Beardsley's drawings.

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Additional info for Aesthetes and Decadents of the 1890s: An Anthology of British Poetry and Prose (Revised Edition)

Example text

You sound like a romantic novel," he said and moved to the foot of the stairs. " It was like putting his foot on a step that didn't exist: he felt his heart lurching with the shock; for days he had been so careful, pretending ignorance of every detail, the position of every room or cupboard. " he said. "Of course. " But she wasn't satisfied. She watched him closely. " "I've been in this sort of house before. " "Do you know what I've been thinking? " "He talked a lot," he said. She opened the door of the dining room and they went in together.

Oh, yes," she said vaguely. It seemed to be a knowledge that didn't count. "Therese," he said. It was the first time he had called her by that name. " she asked. He was a conventional man; nothing affected that. His life provided models for behavior in any likely circumstance: they stood around him like tailor's dummies. There had been no model for a man condemned to death, but he had not grown to middle age without making more than one proposal of marriage. The circumstances, however, had been easier.

Jean, but after the boy's accident and the long weeks in hospital obscure emotions of jealousy and pride kept them apart, and when they met at last it was as enemies. They couldn't, like duelists, use the same weapons: his own strength was matched against the crippled boy's wounding tongue which bore the bedsores of a long sickness. Charlot stepped back into the ditch as the cart went by and put up his hand to shield his face, but Roche paid him no attention; the dark fanatical eyes watched the road in front, the great lopped torso stood like a ruined buttress between him and the world.

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Aesthetes and Decadents of the 1890s: An Anthology of British Poetry and Prose (Revised Edition)


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