Download PDF by David Krasner: A History of Modern Drama, Volume 1

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By David Krasner

ISBN-10: 1405157577

ISBN-13: 9781405157575

ISBN-10: 1444343734

ISBN-13: 9781444343731

ISBN-10: 1444343742

ISBN-13: 9781444343748

ISBN-10: 1444343750

ISBN-13: 9781444343755

ISBN-10: 1444343769

ISBN-13: 9781444343762

Protecting the interval 1879 to 1959, and taking in every thing from Ibsen to Beckett, this publication is quantity considered one of a two-part complete exam of the performs, dramatists, and activities that include glossy global drama.Contains particular research of performs and playwrights, connecting issues and supplying unique interpretationsIncludes assurance of non-English works and traditions to create an international view of recent dramaConsiders the impact of modernism in artwork, tune, literature, structure, society, and politics at the formation of contemporary dramatic literatureTakes an interpretative and analytical method of glossy dramatic texts instead of targeting construction historyIncludes assurance of the ways that staging practices, layout techniques, and performing kinds expert the development of the dramas

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With his subaqueous palette, Chekhov’s characters luxuriate in a kind of burned-out cosmic depression, the way one does after living on too much caffeine and dreams. But he, too, had a knack for being misunderstood and evoked initial confusion in critics and audiences. What they shared was an awareness of modernism’s shock – the psychic transformation from old world values to a new age of bourgeois consumerism and egalitarian social relations. Trauma and modernism are interlocking categories, and these three playwrights understood the connection.

But even he ultimately fails to gauge the full extent of what this violence has unleashed; the backlash against him as his fellow revolutionaries took the supreme moment of revolution in 1789 down the slippery slope of murderous abyss during the Reign of Terror (July 1793 to July 1794). The political culture of absolutism and its end were in fact not an end at all but merely a shift from one authoritarian regime to another. Robespierre’s Republic of Virtue disguised a murderous utopia, an ideology with a long European pedigree of repressive utopian visions.

Death must be something like that. And then at times I hope that perhaps death is even more powerful and wipes away everything. If only it were true! – I’d run like a Christian then to rescue my enemy – no memory, that is. – This place should be safe; for my memory is not for me; but the grave should give me safety, at least it will make me forget. The grave kills memory (34). To be modern as Danton (and Woyzeck, as we will shortly see) is to be cognizant of the alienation from authority and to understand the powerlessness it creates.

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A History of Modern Drama, Volume 1 by David Krasner

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